Happy birthday Lead Belly (Huddie William Ledbetter). Your music inspires me.
Read the new Phil Gammage interview with the great British music journalist Kris Needs for The Blues Magazine (U.K.)!
Payin’ Dues: Phil Gammage
The bluesman on Nashville-style songwriter circles and Magic Sam’s sliding ninths
New York-based singer and guitarist Phil Gammage honed his craft in post-punk outfit Certain General before embarking on a solo career, issuing such landmark albums as 1990’s Night Train and the following year’s Kneel To The Rising Sun. He founded Adventures In Bluesland as an acoustic trio in late 2013. The group’s current line-up is completed by lap steel guitarist Don Fiorino, bassist Johnny Cement, saxist and keyboardist Robert Aaron and drummer Kevin Tooley.
How did you start playing guitar and what drew you to the blues?
Blues was the first style of music I began to play growing up in Houston, Texas. When I started out, the punk rock thing was still happening and me being the opportunist that I am [laughs], I fell into it quite easily. I began writing my own songs and they appeared as these bluesy tunes. They just came out of me, and they still do. Playing blues works for me on so many different levels. Great blues music can express something very special and primal while evoking a deep vibe for whoever plays and listens to it. You’ve got a certain freedom playing blues that you may not find playing other styles of music.
“Great blues is very special and primal”
Tell us about some of the tracks on The American Dream.
“Creepy In The Woods” revolves around the Pentecostal church and some of their worship activities: speaking in tongues, drinking poison, handling poisonous snakes, those kind of things. “Drifting” uses a guitar idea called ‘sliding ninths’ that blues players like Magic Sam often used. “Booze, Blues, And New Tattoos” is a boogie. But my lyrics are almost always fiction. I view my songs as mini-novellas.
What inspired the cover versions?
I’m a huge fan of haunting blues songs from the 1920s and 30s. On The American Dream I recorded a couple that were part of my live repertoire: Blind Lemon Jefferson’s “One Kind Favor”, aka “See That My Grave Is Kept Clean”, and Geeshie Wiley’s “Last Kind Words”, which Kevin thought sounded so great with just me playing guitar and singing that he mixed it with no overdubs.
Outside Adventures In Bluesland, what have you been up to?
I perform with a couple of different ensembles — Adventures In Bluesland and also a smaller quartet. I’ve recently returned to playing solo acoustic shows too and I occasionally participate in Nashville-style songwriter circles, which are always fun.
Adventures in Bluesland’s album “The American Dream” is reviewed in the current issue of Chicago’s Blues Blast Magazine!
“Roots music is in good hands here. We are sure to hear much more good and creative sounds from this band in the future.”
Read the complete review here: http://www.bluesblastmagazine.com/adventures-in-bluesland-the-american-dream-album-review/
Special birthday party for Matt and Gass. Open to the public.
Music starts at 6pm with a great lineup of music and spoken word.
The Phil Gammage penned song “Watching the Traffic Flow” makes the Rock NYC Live and Recorded ‘Best Songs of 2015’ list.
From the Adventures Bluesland album The American Dream.
Phil Gammage (solo acoustic) 8pm
C2 Harmonies 10pm
Paul Anthony 11pm
See you on New Year’s Eve!
More information here.
New online feature about Adventures in Bluesland at Code NYC Magazine.
Photos by Johan Vipper, Lynn Cappiello, and Marc Travanti.
More international accolades for the Adventures in Bluesland album The American Dream.
The album was chosen by NBTRadio to make their “Best of 2015” list. Thanks Martin!
Adventures in Bluesland return to Treme Jazz and Blues Club in Islip, Long Island on December 11. Three sets from 8pm until midnight. With special guest vocalist Felice Rosser.
“If you’re looking for some good-time American Blues, look no further than Adventures in Bluesland…come listen to the old-school Texas-infused, raw-riffin’ guitar that keeps his audience on their feet, dancin’ and drinkin’ the night away to their original songs and their diverse selection of blues covers.”
– Long Island Press