Watch Phil’s new music video “Used Man For Sale” and read his interview with music journalist Tom Semioli at the Huffington Post.
Black and white, it’s the latest old new thing! – Phil Gammage
Watch Phil’s new music video “Used Man For Sale” and read his interview with music journalist Tom Semioli at the Huffington Post.
Black and white, it’s the latest old new thing! – Phil Gammage
Exclusive premiere of “Ride with Railroad Bill” music video at No Depression. Enjoy!
From the album Used Man For Sale. A gritty black and white video whose imagery is heavily influenced by the film noir of the 1940s. Another great production job by the folks at PreFab International Cine.
Phil’s new music video “Maybe Tomorrow” from his album Used Man For Sale has premiered at the great music website The Daily Country.
New York-based recording artist Phil Gammage’s latest music video from his new album Used Man For Sale is for his song “Maybe Tomorrow”. The tune is a departure from Phil’s usual blues-based songwriting style and captures the vibe of the 1960’s era Nashville “countrypolitan sound”. It features a Floyd Cramer influenced piano along Gammage’s powerful baritone lead vocals.
http://thedailycountry.com/news/video-premiere-phil-gammage-maybe-tomorrow
Filmed in Miami Beach, Florida. Watch it here:
Short preview clip via Instagram from the next music video “Maybe Tomorrow”. World premiere announcement soon! From Phil’s album Used Man For Sale.
Filmed in Miami Beach, Florida and featuring a couple of musicians who played on the song Frank DiNunzio III (bass, background vocals) and Kevin Tooley (drums, album producer).
Phil’s new music video for his song “Lost in Loserville” premiered at the influential music website Popdose. Filmed on outdoor locations and at the Green Kill artists space in Kingston, N.Y.
“His new video for “Lost in Loserville” finds Gammage channeling some major Woodstock (the city, not the festival) vibes – and not just because it was filmed in the Hudson Valley. The visuals were inspired by Elliot Landy’s iconic photos of the Band, and the washed-out imagery of Gammage performing outdoors complements the song’s folksy, chugging rhythm like something out of another era.”